![]() ![]() I'm getting wonderful results with Remask in my work flow, and for you to tell me I'm less than professional for using it is not only rude, it's stupid. I think most people that habituate the digital forum are beyond tired of all the posturing that goes on in here.ĭid I write something similar that you are "unprofessional idiot" ? If you don't get quality results with a plug in, state your case for why, and then shut your mouth. I answered very kindly ( read again my post) and told you my experience with masks and at the end I don't understand your attack?Īnyway, wish you the best and good luck. I went through their basic tutorials with a difficult, dark and noisy iphone photo in CS6 to challenge these tools. I had several areas of low contrast that had to be computed by Topaz. The tools are simple, fast and effective. For cleaning up the difficult areas, I found it easiest to work in the 4-image split screen mode. ![]() I could use the tools on any screen, and watch the effects on the other screens. This removes all the guess work from the "contaminated" areas. ![]() I fiddled with my own plug-in shortcut from the installation files, and it then worked on CS6-64 Note: the Topaz ReMask3 I had was not listed as compatible for over CS5 and would not show up under my filters list with a normal installation. I know the detail of the hairs coming out of his ears does not show here, but it's well extracted on the lighted side of the image without extraction outlines. I can quickly clean up the lines on the near zero contrast dark half of the image with a few brush strokes. Watching the effects of remask tool strokes on the grey background as I apply the strokes to the other images is what made it easy. ![]()
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